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Amazon's TV show based on a video game is incredibly fun

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When life gives you giant radioactive cockroaches, you say, “Okey dokey!”

At least if you're Lucy (Ella Purnell), the eternally optimistic protagonist of Amazon Prime's “Fallout” (streaming Wednesday, 9 EDT/6 PDT, ★★★ out of four). At the heart of the adaptation of the popular post-apocalyptic video game series is the contrast of Lucy's spring in her step against the backdrop of a bleak, violent and dirty world, 200 years after nuclear Armageddon. Silly versus serious. Americana versus anarchy. A future stuck in the past.

This retro-futuristic style comes to life in the series in vivid Technicolor colors, which feels like the video game brought to life in the best possible way, full of over-the-top costumes, cartoonish violence and very large weapons. But behind all those 1950s outfits and two-headed cows is a powerful story. “Fallout” is keenly aware that its roots are fun but not pointless. And while there's plenty of room in the zeitgeist for sober and emotional game adaptations (HBO's “The Last of Us”) and also for young people (“The Super Mario Bros. Movie”), “Fallout” finds a unique and vibrant place right in the middle.

Where to find it: 'Fallout' is coming to Prime sooner than expected: release date, time, cast, how to watch it

“Fallout” begins with Lucy, a brave young resident of Vault 33, a clean and secure nuclear shelter inhabited by the descendants of those rich enough to afford a place in the 1950s, when the U.S. and the Soviet Union forced each other into oblivion with nuclear weapons. The world of Tresor is full of 50s kitsch and can-do spirit; Lucy believes she was born to “save America.” But when robbers from the lawless surface break into the bunker and kidnap Lucy's father (Kyle MacLachlan), she decides to venture into the nuclear wasteland to rescue him.

There's also Maximus (Aaron Moten), a low-level guy in the pseudo-religious military of the Brotherhood of Steel, who wants to be a “knight” and drive a mechanized power suit (think a more muscular Iron Man). And most enigmatic of all is the Ghoul (the always delightful Walton Goggins), a mutated, deformed creature who was recently buried alive. The three eventually bond when Maximus and the ghoul pursue a mysterious doctor (Michael Emerson) who Lucy meets by chance. The ghoul wants a bounty, Maximus wants to impress his superiors, and Lucy could get her father back with the doctor's help. Assuming they aren't killed by irradiated bears along the way.

Unfortunately, Maximus' character arc and storyline is by far the weakest aspect of the series. Neither the scripts nor motifs give the character depth or understandable motivation. Even the deliberately ill-defined ghoul seems more confident. And worse, especially in the complex, colloquial “Brotherhood of Steel,” the sci-fi gibberish sounds like white noise, even if you love hard sci-fi.

Still, two out of three strong leads aren't bad, and Purnell – with her anime eyes – and Goggins with his mischievous grin are more than enough to carry “Fallout” through the wasteland. Series creators Geneva Robertson-Dworet (“Captain Marvel”) and Graham Wagner (“Silicon Valley”) are true to the spirit of the game, but wisely avoid common video game adaptation clichés, such as an over-reliance on the “first” Person” perspective and one “too much”. – literal recreation of the original story. Opting for a new narrative simply set in the “Fallout” world, the series is a mix of adventure and puzzle mystery with more than enough action scenes to satisfy RPG fans. It's fun and only occasionally overly complicated.

And if the violence is fairly frequent and extremely graphic? Hey, in a fictional world where Goggins doesn't have a nose, everything fits together.